Super Curator.
AI-powered curation software, wrapped in a hero loud enough to stop a scroll.
Loud hero, quiet workflow.
Two very different registers, on the same page.
The landing page opens with about as much noise as a SaaS hero can make — a hand-lettered comic-book wordmark on a hypnotic ring of concentric colour, the kind of thing that makes you stop scrolling. It’s a deliberate contrast: curators have taste, and taste isn’t boring.
Everything below the fold is the opposite register — dark panels, tight type, real product screens showing the actual workflow (inbox, versions, distribution). The swagger gets you in the door; the calm, dense UI is what convinces you it’s a real tool.
The palette
What makes it work.
Three choices that carry the whole page.
A wordmark that does the marketing
Most SaaS logos disappear into the nav. This one is the hero — a hand-built, slightly distorted comic-lettering treatment that reads as confident rather than corporate before a single word of copy loads.
Six tools, told as one flow
Intake, versioning, taste model, batch editing, distribution and the signal loop could easily read as six separate features. Numbering them 01–06 against one connecting narrative keeps it feeling like a single machine, not a feature dump.
Real product, not a mockup
The inbox, version-branching and distribution panels shown mid-page are close enough to an actual product screen to feel earned rather than illustrated — exactly what a tool for people with taste needs to look like.
A closer look.
A few more frames from the page.
